LIVE EVENT & CONCERT PRODUCTION DIPLOMA
The live event industry provides an immense array of career opportunities, and our Live Event & Concert Production Program was designed to provide the most up-to-date knowledge and skill-sets required to seize those opportunities. Our exclusive partnership with Metalworks Production Group provides a unique learning environment, offering students access to industry-leading equipment and facilities, preparing them for potential opportunities in music concerts, corporate events, theatrical productions, trade shows, exhibitions, conferences, and multi-media presentations.
- Graduates earn a Diploma in Live Event & Concert Production.
- Full-time, one year program strategically designed to get you thoroughly trained in all aspects of live event production.
- Intensive practical experience in the theories and artistic styles used to setup and operate audio and lighting equipment for a variety of live applications.
- Extensive study and practical hands-on experience in the areas of analog and digital technologies, acoustic principles, concert lighting technologies and electricity and electronics.
- Prepare for a career as a front of house engineer, monitor engineer or system tech.
- Incredible opportunities to network and collaborate with students in other Metalworks Institute programs.
- Our exclusive educational partnership with Metalworks Production Group provides students with unprecedented learning environments and networking opportunities.
- Our innovative curriculum and ongoing commitment to state-of-the-art technologies ensures that our program reflects the changing nature of the live events industry.
- The Live Event & Concert Production program is approved by the Ontario Ministry of Training, Colleges and Universities under the Private Career Colleges Act 2005.
AREAS OF STUDY
- Live Audio Systems
- Analog and Digital Consoles
- Music Software & Digital Workstation Technologies
- Concert Lighting Systems
- Acoustic Principles
- Critical Listening
- Live Stage Monitoring Systems
- Health & Safety in the Live Event Industry
- Electricity and Electronics Principles
- Show Systems Maintenance
- Audio Signal Processing Techniques
- Digital Audio
- Show System Installations
- Applicants must have an OSSD or equivalent.
- Mature applicants are welcome to apply.
- Acceptance to the program is limited and subject to an academic assessment and acceptance interview.
- It is also expected that applicant’s demonstrate keen interest in the live event industry, possess creative aptitude and computer literacy.
- Program applications and a guide to the application process can be found at metalworksinstitute.com.
- 1 Year Full-Time Program
- 990 Hours of Instruction
- Typical class hours range between 20-22 hours per week
- 10-12 additional study hours per week are highly recommended
Courses: Live Event & Concert Production
What is the business of entertainment? What is the relationship between creating music and art, and earning money from that art? What are the elements that make up this industry, and how do they connect and intersect to create the vast array of entertainment content that we watch, hear and see? During this course, students will be introduced to the music, broadcast, motion picture, game and live event industries and their various subsidiaries. Students will examine the nature of intellectual property and copyright, discuss the often conflicting relationship between art and commerce, and examine the relationship between content creators and consumers.
As the size and scope of concerts and other live events continue to grow, the live events industry faces ongoing challenges in maintaining the health and safety of workers, performers, and fans at these live events. This course will delve into some of the health and safety issues inherent in the live event industry, such as crowd management, temporary staging, working at heights, working with electricity, and other important safety elements. We will examine important case studies of past tragic incidents in the performance industry, and look at how such incidents can be avoided in the future.
This hands-on, workshop course will allow students to build on the knowledge of signal processing effects and devices learned in the Audio Signal Processing course. Through in-class exercises and projects, students will learn how to use vital effects and processors, such as equalization, compressors, expanders, gates, reverbs, and delays, and how those effects are utilized in live performances.
How are recorded sounds processed in today’s digital environment? How are vocal and instrument tracks altered and changed to produce the sounds we hear in our headphones, and at a live show? In Audio Signal Processing, students will be introduced to the many audio signal processing devices used by today’s producers, and how those devices are used in a live setting. Students will learn about popular effects and processors such as compressors, gates, reverbs and delays, and how those effects are applied during live performances.
Students will gain valuable hands-on experience with current, industry-standard stage lighting technology in this course, which builds upon the fundamentals learned in the Concert Lighting Principles course. Through in-class exercises and projects, students will gain familiarity with the terms and terminology used in concert lighting, learn how to use concert lighting consoles and systems, and also understand the importance of workplace health and safety practices.
What are gobos and fresnels? Who are those people climbing amongst the rafters during a live show, and what do they do? What are the systems and techniques used by lighting crews to create dynamic and dramatic live concert experiences? Our Concert Lighting Principles course will introduce students to the technologies and techniques used to create those stage lighting experiences for live events. This course will explore the history of staging and stage technology, examine the various types of lighting and truss systems, and provide an introduction into the design of those exciting and lighting displays we see at live concerts and events.
The ability to focus on subtle differences in sound is an essential skill of a music producer. This course will introduce students to the techniques used by producers to develop their own critical listening skills. Students will utilize weekly in-class exercises, and comparative analysis of different styles of mixing to help identify the sonic features which can positively or negatively impact a final audio mix.
The Digital Technologies Workshop introduces students to the practical skills of recording and editing music using digital applications, and builds on knowledge gained in the Digital Technologies course. Students will hone and develop their recording skills using digital technologies, and will undertake a comprehensive exploration of Pro Tools, and the techniques involved in recording and editing music on a Digital Audio Workstation.
The use of Digital Audio Workstations has become the norm in today’s digital world. It’s vital that today’s music creators understand the nature of Pro Tools, Logic, Ableton, and other popular DAWs. In our Digital Technologies course, students will learn the fundamentals of recording and editing in a digital environment. Students will explore digital audio basics, including hardware, software and interfaces, via a combination of class lectures and in-class exercises and demos, and learn how to record and edit music like the pros.
Resistors, capacitors, inductors, transistors…? The study of electricity and electronics involves a sizeable menu of terms and terminology that can leave many people baffled. Our Principles of Electricity & Electronics course will provide students with a step-by-step introduction to those basic terms and concepts, which are vitally important to anyone working in the live events industry. Students will learn about electric charges, electromagnetic fields, electric currents, circuits and fields, and how electricity is used in the live event industry. Our course will explore analog and digital electronics, including the basic circuits found in most electronic instruments. In the end, students will be well-versed in the meaning and use of resistors, capacitors, inductors and transistors.
Being a good audio engineer or producer goes beyond microphones, consoles and digital editing. Being a good engineer also means being able to understand the fundamental properties of sound and acoustics, and how acoustics affect the quality of sound in a studio or live environment. In this course, students will learn how sound works, why we hear what we hear, and how our ears receive and conceive sounds. This exploration of sound will involve a comprehensive overview of physics, allowing students to understand the important principles of acoustics, wave propagation, and auditory perception.
We all wince in pain when we hear that hair-raising microphone feedback during a live show. The sound is usually followed by the sight of dozens of heads turning and shooting a puzzled and angry look at the sound techs. For the live sound engineer, the urgent question is, where did that sound come from, how can I fix it, and how can it be avoided in future? In Show System Maintenance, students will learn how to troubleshoot and repair any number of problems that can arise during a live event. This course will learn how to properly test and maintain live show systems, and how to quickly deal with issues that may arise during a live show.
This workshop course will provide students with an opportunity for hands-on application of the theoretical knowledge they gained in the Show Production Systems course. Students will explore and experience various consoles, amplifiers and speaker systems, learn how to use and identify different types of microphones, cables, and connectors, and trace audio signal flow in show systems. Through this hands-on workshop, students will further enhance their communication skills, and learn to think and act like live sound engineers.
The house lights go down, the audience roars as the artist appears, and suddenly the crowd is moving to the booming rhythms sweeping through the arena. But where are the sounds coming from, how does it go from the stage to our ears, and who’s responsible for making it all work? The Show Production Systems course will provide students with the foundation for the production of live sound in a concert setting. Students are introduced to microphones, signal flow, cables, connectors, consoles, amplifiers, and speaker systems, and learn to understand how sounds are conveyed from the artist on stage, to the audience in the seats. By the end of this course, students will begin acting and thinking as live sound engineers, and further develop the strong communication skills needed in the production of live events.
We see them every time we go to a concert, those men and women climbing rope ladders and catwalks to handle the lighting and sound systems. Without them, there are no concerts, but few of us understand the important, and sometimes dangerous, work that they do. This course will explore the basics of production rigging for live events, while placing particular emphasis on the safety practices required in this risk-filled occupation. Students will explore the common types of rigging systems and components, the methods of flying stage elements, and the use of various types of knots in stage rigging systems.
Concert tours can be enormous financial and logistical enterprises, involving dozens of people, thousands of dollars, and a multitude of considerations. In our Tour Management course, students will learn what it takes to pull off a successful concert tour. We will examine the role of the tour manager, and the other key members of the tour management team. We’ll discuss the different types of live performance agreements, and the vital role of merchandise and merch sales for the artist. We will explore the ins and outs of sponsorships, scheduling, hospitality, accommodations, and travel arrangements. And finally, we’ll also examine the technical side of the touring business, from stage plots, to sound and lighting personnel, and the work that they do.